Poetic work of integration of design and construction | Fuzhou International Trade • Fenghuangyuan

Formwork Prop Nut

In front of the entrance hall is a mountain element landscape wall integrating traditional and modern temperament, combined with the sense of order of the greening array.

It is used to build a sunken courtyard, excavate vertical space, view the island area and leisure sit in area.

The folk ballad “three mountains are present, three mountains are hidden and three mountains are invisible” has long been spread among the people in Fuzhou.

▲ viewing the Lantau Island · the water center of the two Lantau islands ▲ viewing the moon · leaning on the gold and silver platform, passing through the gatehouse and along the corridor, you will find a surprise – sinking courtyard.

From the perspective of leisurely looking at the still water and flowing clouds, we can truly return to nature and be at ease.

The road to find mountains is always tortuous and can’t see the destination.

At this time, the mountain is a light and shadow.

It has the feeling of “being very narrow at the beginning, being able to understand people, walking dozens of steps again, suddenly opening up” written by Tao Yuanming in the book of peach blossom source.

The relationship between light and shadow and architecture, the integration of mountain undulating elements and Fuzhou jasmine elements.

Landscape painting is the most profound precipitation in Chinese human thoughts.

Here, the two sculptures symbolize two islands, and the mountains are hidden on the islands.

It is a tortuous Sapium sebiferum forest path.

The mountain enters the painting mirror.

Childlike dream time taste of childishness and play fullness the full-age parent-child paradise with the theme of “forest” evokes pure childlike innocence, looks for the original childlike innocence, walks in groups in the psychedelic forest, explores the wonders of the forest with animals, and opens the relationship between the travel line of the forest tour and children’s activities; The relationship between age division and children’s movement line.

The vertical changes created by sunshine lawn and array tree landscape enrich the spatial level.

The water people indulge in the natural landscape and balance their heart in the natural landscape.

The bamboo is deep and the trees are dense with insects.

Sometimes it is slightly cool, not the wind.

While meeting the design logic of the large area without demolition and reconstruction, create multiple landscape spaces in the limited space and simple moving line, continue the road of mountain search, and open the location of mountain living project.

A piece of water, a tree and two springs.

Space and time are all the structures related to it.

The 80m channel is designed to be divided into three spatial levels by taking “zigzag mountain path” as the main tone, and create three different greening spaces with the theme of “GUI, song and bamboo”.

The creation of light and shadow corridor can perceive the rapid changes of time and light and shadow.

Follow the footsteps of ants and start the journey with animals in the misty forest; Stepping on the axis of time, I feel the growth of plants; Meet the exuberant elk, shuttle through the fantastic tunnel and climb to the top of the mountain.

How to build an 80m channel and how to pave the way before entering the sales center? The 80m long and narrow channel is built with greening and hard, and the turning space layer by layer is all to foreshadow the climax behind.

It is poetic and quiet.

General overview general information exhibition area “where every story is born, there is a kind of” beauty “.

▲ go to the door and find the mountain.

▲ the entrance curtain · at the end of the bamboo forest on the green cloud ladder is the entrance square of the project.

Connect the sunken courtyard to create a courtyard with a flexible sense of space.

A mountain entrance curtain amountaincurtain ascends the green cloud ladder at the beginning of the lantern, the spring flows, the mountain mausoleum rises and falls in front of it, and light and shadow shuttle between the grids.

On the glass view wall, mountain shapes are stacked one after another, and there are mountains outside the mountain.

The square is broad and atmospheric.

The occurrence of multi-functional interactive mode of lawn space and the placement of various activity modes create a static atmosphere and static communication interactive style of leisure space.

With the light placement of natural elements of mountains, water, stones and forests, it opens the poetic mountain life, controls the relationship between architecture and landscape space dimensions, and is placed in lawn space and leisure space to create an outdoor multi-functional leisure space.

The corridor is symmetrical with the central axis and runs through the axis of the overall space.

At the moment, the mountain is a picture.

“This is not looking for the past with the memory area, far more than this, but finding time, That is, return it to reality and finally hold it freely.

It is to calm the mind, forget the noise and troubles of the city, and feel the world and life from the stone.

Grids are used on the opposite side to create a transparent perspective.

▲ light and shadow corridor ▲ meditation · sitting on the Bank of the green pool ▲ on the Bank of the green pool · three mountains and three mountains are transformed into light and shadow, integrated into the landscape wall, matched with Yongquan waterscape and sculpture to create a beautiful landscape painting.

”                              ——  Malcolm Amer green   Spaces exists in a simple and rational spatial order, with refined lines and fine texture.

The “mountain” potential becomes light and shadow, which is integrated into the end view wall of the site and take sound in silence.

The broken line garden road is dynamically compared with the greening group and integrated into the landscape.

▲ go to the door to find the mountain source ▲ epitome of mountains and rivers ▲ courtesy · as the saying goes in the front yard: no stone, no garden, no stone.

The bamboo path is narrow, so many people can’t walk along the way.

What you see is a bamboo forest.

The theme of “winding mountain path” is divided into three spatial levels, and the theme of “GUI, song and bamboo” is created into three different green spaces.

▲ on the secluded footpath of the empty mountain forest, the simple and clean landscape wall surrounds the green island.

The water center of twoislands in the middle of Liangyu water is a tree.

Create a multi-dimensional ideal community and create a delicate mountain living experience.

▲ walk through the pine forest ▲ listen to the bamboo language ▲ hide the bamboo shadow and continue to move forward.

You can’t see the scenery in front, so you have to continue to move forward along the road.

The artistic curved screen perceives the charm of Fuzhou, and the comfortable and leisurely life among neighbors is unfolded here.

The bamboo path is straight, pointing straight ahead.

The ancients liked stone as an expression of their thoughts and feelings.

When we meet and are touched by it, our hearts ripple, and a new story is born.

Taking the spring mountain living environment as the blueprint, taking the dancing willows in the poem, green vigorous bamboos, brocade like flowers and houses in a pool of spring water as the elements, the perfect integration of man and nature creates a remote and quiet mountain living place.

The elephant guides people through the fog forest..

There is only one green in sight.

The regional culture of “three mountains and one water” has become the main symbol of Rongcheng, so Fuzhou is also known as “three mountains”.

Stone, tree, sand, fog, light and other elements create a quiet Zen space.

This reference is the mountain landscape of the hometown.

It’s common to walk alone.

The creation of large-area waterscape on the ground floor has become the focus of vision.

At the same time, as the external image display of the project, the landscape stone and the surrounding wall are added to create a ritual space.

The long and narrow passage and the turning space are all foreshadowing for the climax behind.

Springs flow continuously on both sides of the gatehouse, showing the noble momentum.

Diversified interactive modes are performed happily on this large-area lawn.

The garden road is circuitous.

In the quiet Zen space, the performance of leisure activities.

All the landscape descriptions of windingpath of indingthemountain subconsciously have a reference.

The island is the change and epitome of the mountain, and the water is transformed into ground gravel, which depends on the mountains and rivers.

It surrounds people’s backyard courtyard.

The two islands are printed with the color belonging to the sky in the suspended water.

Go to the door and find the mountain.

Now people fall in love with stone because it is simple and plain, looks up to the sky, reads all the forms of the world, and has experienced vicissitudes.

”                                        —— At this time, the mountain is the connection between the external space of a stone and the front space to meet the parking needs of the site and the planning of the moving line of people and vehicles.

Level as a mirror, you can touch the depths of your heart without too many words.

Mountain shadow, tree shadow and water shadow move and fluctuate.