Construction essentials of bonsai (II) production and management of landscape bonsai the production of landscape bonsai is a kind of bonsai made of various natural mountains and stones as the main materials, through fine selection and layout processing, and imitating the natural scenery of real mountains and water.
For example, in a basin of landscape bonsai, it will be filled with rocks and accessories, which will make people feel stuffy and solid, so we must leave a blank, virtual energy habitat, and the real scene cannot be highlighted without emptiness.
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There are many things in common with landscape painting, so we should learn, appreciate and copy more landscape paintings with the title of natural landscape, seriously study painting theory and learn traditional processing techniques.
After the processing and layout of mountains and stones, small trees, flowers and plants are planted, green moss is raised, and accessories are put on, which can produce the beauty of shining clouds and holding the moon and making the finishing point.
In the far and close range layout, the front is generally close, and the reverse is far.
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The primary and secondary relationship refers to the comparison between the main scenery and the lining scenery of landscape bonsai.
If you want to make the main peak appear tall, you must make the secondary peak short.
The drawings are from the network.
It is not difficult to use real, but virtual.
The main scene should be set off by the background, and the background should be supported by the main scene.
It is necessary to achieve the command of the main scenery and the skillful attachment of the lining scenery.
In addition, according to the posture of mountains and stones, we should make good use of the situation to create magnificent mountain scenery with strange peaks and rocks, undulating peaks and mountains.
Generally, painting and landscaping advocate that it is appropriate to hide rather than expose, but only hide but not expose.
The official account of Lin Hongxin and Chen Xizhi, issued by the public, is published and quoted in the bonsai field of vision.
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Landscape bonsai is the epitome of natural scenery, which is required to be reduced according to the proportion of natural landscape.
However, attention should be paid to the proportion and scale of ornamented accessories and mountains and stones, and appropriate parts can form a realistic landscape picture.
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“If the mountain wants to be high, it will not be high if it comes out, and if the haze locks its waist, it will be high.
The contrast between virtual and real is a main aspect of making landscape bonsai.
Shi Tao, a great painter in the Qing Dynasty, once said; “Mountains and rivers are concrete, some are positive, some are partial, some are scattered, some are near and far, some are inside and outside, some are false and real, some are broken and connected, there are layers and spalling, some are abundant and some are misty, which is also the main end of life.” this is the brilliant words of creating landscape bonsai.
Tibet and dew are also the dialectical techniques of landscape bonsai layout.
The layout of landscape bonsai, as well as the comparison of distance and distance, and the formation of the future are most suitable for Qifeng or two mountains to see the future from the close view.
The two complement each other.
This is the artistic technique of half hiding and half revealing.
The materials of landscape bonsai are mainly inanimate materials, so its processing process is obviously different from that of tree bonsai, and its management is more convenient.
Chinese painting pays great attention to density, so it is said that “sparse can run a horse, but dense can not be ventilated”.
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It is necessary to arrange the proportion and location of mountains and rivers, so that “mountains have veins and water is active”, rise and fall high and low, winding and winding, which is in line with the natural change law of mountains and rivers.
We must carefully consider and carefully design in order to create a poetic landscape bonsai.
Shrinking the land for thousands of miles and seeing the big from the small is the characteristic of the artistic modeling of landscape bonsai.
Loose stone materials mainly include sand stone, reed tube stone, chicken bone stone, pumice, sea mother stone, etc.
Be careful not to let the close view obscure the long view.
Landscape bonsai embellishment accessories include trees, moss, pavilions and bridges, boats and rafts, etc.
It may not have the feeling of “wonderful scenery Heritage Tour”, so that people don’t know you have something to hide.
The artistic techniques of layout include the handling of contradictions such as virtual reality, primary and secondary, height, distance, hiding and dew, size and density.
Stone peaks should not be crowded together, nor should they be scattered at an equal distance.
Between the secondary rocks and rocks, there are primary and secondary, which are uneven, so we can see flexibility.
The greening and embellishment of landscape bonsai can make the landscape colorful, icing on the cake and produce poetic and picturesque.
At the same time, we should also observe the natural landscape of the great rivers and mountains and rivers of the motherland, collect materials through sketching and photography, find out the structure and performance of mountains and stones, and master the natural landscape features of famous mountains and rivers, so as to improve the plastic art level of landscape bonsai.
The former is real and the latter is empty.
The production and processing of landscape bonsai is often based on stone creation and stone selection according to the topic.
Therefore, the best way to deal with landscape bonsai is half exposed and half hidden.
Only when there is sparse and dense, tight and loose, and alternating between density and density can there be a law.
The key to the quality of landscape bonsai is the layout.
Only by deeply understanding the artistic conception of Chinese landscape painting can we deal with the unity of these contradictions in the layout of landscape bonsai, such as low lining high, small lining large, shallow lining deep, virtual lining solid, sparse filling and dense filling.
In short, the production of landscape bonsai is a combination of painting, sculpture, poetry, songs and other arts.
If you want to create Guilin landscape, you should choose the towering rocks with strange peaks and mountains; To create the landscape of Jiangnan plain, we should choose low, flat and long mountains and stones; To create snow mountain scenery, we should choose white Xuanshi and pumice and so on.
All kinds of stone materials have their own natural stone color, texture and rich outline.
If the water wants to be far, it will not be far if it comes out, and if it sets off its source, it will be far away.”.
It seems that the mountains are hidden, hidden and unpredictable.
There are many kinds of stone materials for making landscape bonsai in China, which can be divided into hard stone and loose stone; Common hard stones include axe splitting stone, stalactite, Yingde stone, Lingbi stone, Xuanshi, stalagmite, tree fossil, Qianceng stone, moire stone, sand rubble, Kunshi, Taihu stone, manganese stone, Yellowstone, malachite, pebble, chrysanthemum stone, etc.
Therefore, the more kinds of rocks, the more extensive the landscape image.
For example, manganese stone, sand rubble and axe splitting stone are used to show the near mountain scenery of steep and strange peaks; The deep dragon’s pool and tiger’s den in the cave and gully is represented by the clear and embedded reed pipe stone and sandy gravel; It is just right to use the smooth and thick stream stones to express the vast distant mountain scenery, and receive the artistic effect of half the effort.
In the layout of landscape bonsai, the height is also relatively large.
China’s ancient mountain and stone genealogy records the rich stone resources in various places.
Or one side is near and the other side is far.
Sparse and dense are also a comparative problem in the layout of landscape bonsai.
all introduce the types, texture, color, characteristics and origin of mountain stones in China in detail, providing a wide range of mountain stone materials for the production of landscape basin scenery in China.
We should pay attention to the contrast between virtual and real, so that there is real in the virtual and virtual in the real.
However, if it is fully exposed, it has the disadvantage of seeing at a glance.
Landscape bonsai is a three-dimensional painting.
This is a problem of proportion.
The main scenery of landscape bonsai is stone peak, which is composed of many blocks, one of which is the main peak, and the others are in a secondary position.
Therefore, between scenes, we see low from high, high from low, small from large, and large from small.
